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Lurid
- Empress of the Undead |
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| A Young Shadowling
The cover color was a
unique collaboration between Mark Stokes and myself. I hand-colored
the eyeball and surrounding skin, and then Mark added the colors to
the patchwork cloth, and tweaked it to perfection. I think it's
easily our most striking cover, and I'm quite happy with it. |
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COMMENTARY
ON ISSUE #4
The great thing about producing an independent book
is that you can work organically. CCity #4 was intended to be a
stand-alone issue, but while plotting out the story, I decided that I
wanted to experiment with pacing out the early parts of the plot with a
series of two-page spreads. Contrary to what some wags may say, I did not
do this simply to fill up a lot of space with a few simple images - I
liked the idea of trying to "stretch" time with the spreads, and
I liked the impact that the extreme close-ups have on the reader. Having
done all this, however, it became obvious that the story was not going to
wrap up in the allotted 24 pages, and so I broke the story at a natural
cliffhanger. To my mind, the only really adverse affect this had on the
story is that it tends to be all buildup and no payoff. Not to worry - the
payoff is coming. Bulldog's conversation with the Shadowling shaman (pgs.
12-16) was one of the hardest things I've ever done, because it was a huge
chunk of talk-talk, and one of the two characters never gets out of his
chair! I was desperately trying every trick in the book to keep that
section interesting (including following some long-ago advice from the
legendary Wally Wood). I don't know how well I pulled it off, but I think
it's functional at the very least. The brief introduction of Lurid in this
issue is a precursor to a huge miniseries I hope to do with the Empress of
the Undead one day in the not-too-distant future. The status of the
vampire in Complex City is quite ... complex, and it's a story I'm dying
to tell. Stay tuned.
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